Tag Archive: Gaubert Madrigal


Quite a lot to write about what with yesterday’s trip up to London and class today, but now that I’ve spent a while on my review of the LSO concert it’s late again. I’ll try to keep things brief, get a good night’s sleep, and then write a longer post tomorrow!

Yesterday’s masterclass with Emily Beynon was really interesting, as much for just hearing some different musical opinions and ways of explaining things. It reminded me that I’m probably suffering a bit from Trevor fatigue, as in such an intensive environment his is the only voice giving feedback week after week. Emily Beynon talked a lot about musical story and character, and was adamant that every performer have a strong narrative in their mind for a piece. She wanted to be convinced by every note they played, and encouraged them to express their musical ideas verbally. I found her description of dynamics, vibrato and colour as being totally separate sliding dials quite useful.

Class today was back to Trevor, and as always had its ups and downs. As usual, I had a ‘solo’ turn at the warm-up tune, which Trevor made me play again and again asking me to ‘make a crescendo’. I was so tied up in the notes (yes, I got nervous again) that it took me several goes to get a suitable crescendo going. The thing that frustrated me was that he could see I was nervous, that that was the reason I couldn’t get notes and expression happening together, and yet he kept pushing. Clearly it’s all good training for more stressful future situations.

My rhythms in the first two movements of Dvorak 8 weren’t quite as solid as I’d though, and I earned a telling-off for totally re-composing the start of the solo in the second movement! Once I’d sorted the rhythms, though, I played expressively and eared some ‘very good’s here and there. Of the two repertoire pieces, I ended up playing the Gaubert Madrigal, which was also pronounced “some of the best you’ve played recently”. I still felt like a nervous wreck afterwards though, so calming down in class is very much a top priority.

Elmsted Church

Elmsted Church

I had a rather bitty day today, what with our weekly Tesco outing. Though walks are still off, Trevor seemed in good spirits and approved of my being able to recite the entire compositional output for flute by André Jolivet!

Almost as soon as we got back it began to snow, and by mid-afternoon (and after a few hours for scales and exercises) the countryside was beautifully white and sparkling. I took myself off for a walk across the fields, and had a wonderful time.

Snowy path

Snowy path

Alas, practice today wasn’t fantastic. I felt a bit rung out and tired from the start, and have probably spent a bit too much time note-bashing to try and get all the studies into my fingers. The repertoire for Friday is Gaubert’s Madrigal and the Reinecke Ballade. While neither are terribly hard, the Ballade will need a bit more work on notes tomorrow. I would love to play both musically and with Trevor-sufficient expression. Hopefully I can achieve that in the short time I have!

Our final masterclass with Juliet is set for February 27th and I’m playing the Copland Duo. It’s a piece I really love but haven’t played before, and from my read through today the main things will be tasteful phrasing across the mixed meter sections, and indicating tempo changes. Hopefully I can do a better job that last time.