Sunday 25th January,
The Barbican Centre, London

A glittering program of virtuoso performances, the London Symphony Orchestra’s performance on Sunday was quite a treat. The program opened with Blossoming II by Toshio Hosokawa – a work of shimmering simplicity and beauty. Starting with a single, sustained note, the music grew in elegant ripples inspired by the way in which lotus blossoms come into flower. The orchestra played with sophistication and poise, drawing breath as one. Here, conductor Robin Ticciani was in his element, and this performance rather stole the show for its elegance, ensemble and artistic vision.

By contrast, Maurice Ravel’s Piano Concerto in G major sparkled with the virtuosity of individuals. Simon Trpceski is a deft performer whose deep understanding of the music gave rise to a dancing rendition that fulling embraced the composer’s jazzy inflections. The second movement was particularly memorable – with subtly rendered phrases passed elegantly between piano and wind soloists. Though Trpceski’s rousing duet with leader Roman Simovic was undoubtedly the audience’s favourite encore, mention must also be made of the beautifully lyrical, almost understated Poulenc.

Orchestra and conductor alike seemed to enjoy Malher’s Fourth Symphony immensely, performing with energy and vigour thoughout. Woodwinds and principal horn Timothy Jones played with striking colours and seamless cohesion. While it seemed that things came momentarily unstuck at the end of the third movement, mezzo-soprano Karen Cargill’s agile voice brought a new layer to the finale portraying a child’s view of heaven. Sunlight and shadows, doubt and glorious affirmation, before the final note shimmered and faded into silence.

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