Rechiert exercises continue to be a pain, but I am slowly improving with both memory and speed. I can get through the whole cycle of Reichert No. 2 without looking at the book, though often loose confidence the first time through in a key. However the second (or third for harder keys) time through I can play it quite quickly, so I think part of it is now developing confidence in my memory rather than getting the notes in.

Today was a bit of a juxtaposition of musical styles. I started off the day with another good stint of traverso practice in preparation for playing in class tomorrow. The allegro movement of Telemann’s Fantasia No. 6 in D minor isn’t perfect, but it’s definitely sounding a lot better than a week ago. Some passages might almost come across as fluent. I think I unknowingly picked quite a tricky fantasia to learn; D minor has F naturals, B flats and quite often C naturals as well! Then there’s the odd G sharp thrown in for good measure whenever the music heads for the dominant! I’m looking at it as a good thing though – picking a piece in D or G major would have meant that I avoided most cross-fingerings. It shows how much I’ve learned that I could actually sightread the C major fantasia quite well this morning!

Later in the day, I Skyped a friend in Australia to put the finishing touches to an application for the New Music Miniseries (run by the New Music Network) next year. We’ve put together a concert of flute and bass trombone music, along with some potential new commissions to expand the currently rather slim repertoire. Who knows whether we’ll get the New Music Network’s support, but either way I really hope we can make the concert happen.

I then finished off the afternoon back in the Baroque, learning the minuets from J.S. Bach’s Sonata in C major BWV 1033 for class tomorrow. Trevor has assigned everyone different movements of the C and E major sonatas, with the aim to discuss Baroque style in general and get a good idea of how to play Bach. I’m quite happy to have fewer notes than usual to learn – more time on technique and studies!

I suppose my little gem of wisdom from today is that diversity is wonderful, and that it must be relished. I have the opportunity to engage with, play and dream about beautiful music from so many different eras, as well as (hopefully) to help in the creation of more. Vlve la différence, vive la musique!